Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs.
In a hospital on the outskirts of 1920s Los Angeles, an inju...
A timid magazine photo manager who lives life vicariously th...
Ben Sanderson, an alcoholic Hollywood screenwriter who lost ...
