The Argentine competition winner, Gonzalo Castro’s Invernadero (Winter House), offers a stylistically elegant if overlong contemplation of the experimental one-armed Mexican novelist Mario Bellatín, a famed prankster who here engages with his daughter and friends (all fictional characters) in an interrogation of biography (itself a central conceit in Bellatín’s fiction).
Martin Scorsese’s portrait of writer and social commentator ...
The film follows adventurer Jeff Johnson as he retraces the ...
A detailing of the rise to prominence and global sporting su...
